On closer examination, the prints at Leibowitz's show have remarkably little pixel mangling, particularly the point-and-shoot shots. Others, such as Elvis's bike, appropriately have no pixels, only detail. Water, in all forms, seems to respond well if the pixels are left alone. I've been banging away at this for some time now, so it's a relief to see that others feel the same.
This shows a 100% detail of the solo picture
currently on my site, where the phenomenon of water droplets painting on the sensor with white light is well demonstrated. Perhaps some see it as a grey mess, but this is what water looks like; it's not milk, and it's not glass. Back to Sid later.
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